Common Good Collective

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This Reader is an expression of Common Good Collective, a vision for an alternative way, rooted in the act of eliminating economic isolation, the significance of place, and the structure of belonging. Whether you come at this from a place of economics, social good, or faith, we hope these reflections help orient your day in fresh, provocative, courageous ways. And most importantly, we hope these lead you into the sharing of gifts in particular communities—into co-creating a common good.

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Sacheen Littlefeather At The 1973 Oscars

The night of the 45th Academy Awards, the tuxedo’d and tiara’d denizens of Hollywood expected Marlon Brando to show up on stage and accept his best actor accolade for “The Godfather.”

Instead, they got Sacheen Littlefeather.

Political statements at the Oscars have become so commonplace in recent times, it’s hard to keep track of them all. But the words of a young Native American actress who took to the podium to protest the mistreatment of her people in 1973 continue to stand out to this day.

The story originally published on wbur Here and Now.

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Manifesto: The Mad Farmer Liberation Front

by Wendell Berry[1]

Love the quick profit, the annual raise,
vacation with pay. Want more
of everything ready-made. Be afraid
to know your neighbors and to die.
And you will have a window in your head.
Not even your future will be a mystery
any more. Your mind will be punched in a card
and shut away in a little drawer.
When they want you to buy something
they will call you. When they want you
to die for profit they will let you know.
So, friends, every day do something
that won’t compute. Love the Lord.
Love the world. Work for nothing.
Take all that you have and be poor.
Love someone who does not deserve it.
Denounce the government and embrace
the flag. Hope to live in that free
republic for which it stands.
Give your approval to all you cannot
understand. Praise ignorance, for what man
has not encountered he has not destroyed.
Ask the questions that have no answers.
Invest in the millennium. Plant sequoias.
Say that your main crop is the forest
that you did not plant,
that you will not live to harvest.
Say that the leaves are harvested
when they have rotted into the mold.
Call that profit. Prophesy such returns.
Put your faith in the two inches of humus
that will build under the trees
every thousand years.
Listen to carrion — put your ear
close, and hear the faint chattering
of the songs that are to come.
Expect the end of the world. Laugh.
Laughter is immeasurable. Be joyful
though you have considered all the facts.
So long as women do not go cheap
for power, please women more than men.
Ask yourself: Will this satisfy
a woman satisfied to bear a child?
Will this disturb the sleep
of a woman near to giving birth?
Go with your love to the fields.
Lie easy in the shade. Rest your head
in her lap. Swear allegiance
to what is nighest your thoughts.
As soon as the generals and the politicos
can predict the motions of your mind,
lose it. Leave it as a sign
to mark the false trail, the way
you didn’t go. Be like the fox
who makes more tracks than necessary,
some in the wrong direction.
Practice resurrection.

Berry’s Mad Farmer is in full-on rebellion. The work of seeing and building from abundance is like that. Around us, everyone want you to rely on experts, to outsource your participation in your block, to digitize your life so that your data can be sold off. “Your mind will be punched in a card and shut away in a little drawer,” Berry says.

The rebellion that is required, he suggests, is to see and hear even in dead places “the chatterings of the world to come.”

For reflection: Find one or two lines of Berry’s poem that resonate within you. How can you put that single line into practice today?

[1] “Manifesto: The Mad Farmer Liberation Front” from The Country of Marriage, Harcourt Brace Jovanovich, Inc1973. Also published by Counterpoint Press in The Selected Poems of Wendell Berry, 1999; The Mad Farmer Poems, 2008; New Collected Poems, 2012.

 

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The 1619 Project

The 1619 Project is an ongoing project developed by The New York Times Magazine in 2019 with the goal of re-examining the legacy of slavery in the United States and timed for the 400th anniversary of the arrival of the first Africans in Virginia. It is an interactive project by Nikole Hannah-Jones, a reporter for The New York Times, with contributions by the paper’s writers, including essays on the history of different aspects of contemporary American life which the authors believe have “roots in slavery and its aftermath.” It also includes poems, short fiction, and a photo essay.

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The Lamb and the Pinecone by Pablo Neruda

One time, investigating in the backyard of our house in Temuco the tiny objects and minuscule beings of my world, I came upon a hole in one of the boards of the fence. I looked through the hole and saw a landscape like that behind our house, uncared for and wild. I moved back a few steps, because I sensed vaguely that something was about to happen. All of a sudden a hand appeared—a tiny hand of a boy about my own age. By the time I came close again, the hand was gone, and in its place there was a marvelous white sheep.

The sheep’s wool was faded. Its wheels had escaped. All of this only made it more authentic. I had never seen such a wonderful sheep. I looked back through the hole but the boy had disappeared. I went into the house and brought out a treasure of my own: a pinecone, opened, full of odor and resin, which I adored. I set it down in the same spot and went off with the sheep.

I never saw either the hand or the boy again. And I have never again seen a sheep like that either. The toy I lost finally in a fire. But even now, in 1954, almost fifty years old, whenever I pass a toy shop, I look furtively into the window, but it’s no use. They don’t make sheep like that anymore.

I have been a lucky man. To feel the intimacy of brothers is a marvelous thing in life. To feel the love of people whom we love is a fire that feeds our life. But to feel the affection that comes from those whom we do not know, from those unknown to us, who are watching over our sleep and solitude, over our dangers and our weaknesses—that is something still greater and more beautiful because it widens out the boundaries of our being and unites all living things.

That exchange brought home to me for the first time a precious idea: that all of humanity is somehow together. That experience came to me again much later; this time it stood out strikingly against a background of trouble and persecution.

It won’t surprise you then that I attempted to give something resiny, earthlike, and fragrant in exchange for human brotherhood. Just as I once left the pinecone by the fence, I have since left my words on the door of so many people who were unknown to me, people in prison, or hunted, or alone.

That is the great lesson I learned in my childhood, in the backyard of a lonely house. Maybe it was nothing but a game two boys played who didn’t know each other and wanted to pass to the other some good things of life. Yet maybe this small and mysterious exchange of gifts remained inside me also, deep and indestructible, giving my poetry light.

Pablo Neruda (1904–1973) was born Neftalí Ricardo Reyes Basoalto in Parral, Chile. He published many books of poetry, as well as memoirs and prose. Neruda received the Nobel Prize for literature in 1971 and died in 1973. The following selection comes from an interview with Robert Bly, which first appeared in a volume edited by Bly, Vallejo and Neruda: Selected Poems (1976).

 

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Books We Keep Nearby

Sometimes a book becomes like a trusted friend – you keep it nearby, never leaving your favorite travel bag, or always on your
nightstand. You can rely on the book to inspire, or amuse, or comfort. The first time you give a gift to a new friend, it is this book. The book – and your love of it – provides a little insight into you for that friend. You are connected to it, and it helps you make connections.

Below are some books that our team always keeps nearby, with selective annotations:

A personal journal.

Writer Mama – an encouraging reflection on being a parent and a creator.

A short story collection. Perhaps one by Eudora Welty, Lee Smith, Flannery O’Connor, or Joy Williams.

Between the World and Me. Ta-Nehisi Coates’s incisive, beautiful lament written as a letter to his son.

Two or Three Things I Know for Sure. A memoir of embracing your own story

A Timbered Choir: Sabbath Poems. Wendell Berry’s classic collection.

A Theology of Black Liberation. James Cone’s masterwork of “theology from below.”

Pedagogy of the Oppressed. Paolo Freire’s classic work on movement-building.

New Seeds of Contemplation. Thomas Merton reflects on monastic life.

The Quotidian Mysteries. Kathleen Norris writes on patient endurance and the transformational power of tending to the small, daily things of human existence – cooking, laundry, conversation, silence.

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